Tina Win’s ‘Try Anything’ Is Pop With Bite
When a new single comes crunching through your headphones, the best you can hope for is that it does two things: sound expensive and feel dangerous. Tina Win’s Try Anything does both—and then tosses in a wink as if to say, “What did you expect? That I’d play it safe?”
Clocking in at a lean 2 minutes and 41 seconds, this is not just another indie-pop experiment shoved into Spotify’s crowded playlists. This is a sharp-edged calling card—attitude dipped in sugar, licked clean with swagger.
On first spin, Try Anything instantly gives off that neon-strobe sheen you normally associate with the radio-ready elite. Producer Joey Auch has wrapped Tina’s voice in a slick, radio-polished coat, the kind of production that crackles between your speakers like a cigarette lit in the dark. But the gloss never feels sterile. There’s dirt hiding in the shimmer, a scuff in the glitter, the kind of thing that separates pop destined for a playlist background shuffle from pop that grabs you by the shirt collar.
Tina performs with a delivery that’s breathy, cutting, and almost bratty in spots—recalling Ke$ha’s sneer, Gaga’s brazen theatricality, and maybe even a touch of Gwen Stefani’s punk-pop sweetness. This isn’t a singer trying to sound nice – she is daring you to bite back.
The lyrics to Try Anything (which she wrote herself) don’t waste time with metaphors stretched to breaking point. They’re direct, playful, and just dirty enough to feel like a dare passed under the table at a party. “I’ll make it hurt a little, it’s alright if we’re having fun,” she sings, sly and unapologetic. This is the ethos of the track: messy, impulsive, deliciously bold.
It’s the soundtrack to every bad decision you kinda want to make anyway—the flirty text at 2 a.m., the kiss stolen in the back corner of a dive bar, the difference between knowing better and doing it anyway. It’s youth, it’s heat, it’s freedom wrapped up in a two-and-a-half minute sugar rush.
To the uninitiated, Tina Win might seem like the latest spark in a crowded pop-scape, but that reading would miss the point. There’s a grit to her backstory that bleeds straight into the song’s edges. Romanian-born, adopted in the aftermath of political chaos, raised on resilience and reinvention—Tina isn’t approaching this industry as a wide-eyed dreamer. She’s coming in with scars, with receipts, with the sharp clarity that comes only from burning bridges you never meant to rebuild.
She’s worked at fashion mags, hustled backstage at Fashion Week, clawed her way through rejection, survival, and reinvention. All of that makes its way, somehow, into her voice—not in obvious lines, but in the way she holds her syllables like they’re secrets. When she repeats the chant “I’ll try anything,” it’s less about the hook and more about the dare. You believe her.
There’s a reason Tina and her team are pushing for DJ mixes, sync placements, and commercial drops—because Try Anything feels versatile. It could soundtrack a late-night CW teen drama kiss, pulse through a neon-lit bar in Berlin, or explode during a sweaty 2 a.m. DJ set in New York. That’s the strength of sharp production and universal themes—it travels, and it sticks.
But what’s intriguing is where Tina could go from here. Try Anything might be her introduction to the industry, but it also feels like a blueprint. You can hear the potential for a full EP of bruised club anthems and jagged ballads. If this is the first punch, what happens when she starts throwing combinations?
The pop field is crowded—impossibly so. For every headline-grabber, there are ten artists lost in the algorithmic churn. But every so often, someone comes along with a track that plants a flag: bold, fun, unpolished in the right places, polished to perfection in others. Try Anything is breaking just enough of pop’s rules to keep you excited. And maybe that’s the point—this isn’t about coloring inside the lines; it’s about tearing the page in half.
At the end of the day, Try Anything isn’t safe music. It’s risky, impulsive, shameless fun—exactly what pop is supposed to feel like when it’s not hiding under three marketing layers. Tina Win doesn’t want to be industry-perfect; she wants to be unforgettable. And with Try Anything, she’s not just introducing herself—she’s carving her initials in the table.
She’ll try anything—once. Twice, if it leaves a scar. And honestly? That’s the kind of pop rebellion we’ve been waiting for.
Keep up with Tina Win on Instagram: https://www.instagram.com/thetinawin
